Agnieszka Polska: Between the Real and the Imaginary
Admission starts astatine $5
Date
February 18, 2023, 5pm
172 Classon Avenue
Brooklyn, NY 11205
USA
Join america astatine e-flux Screening Room connected Saturday, February 18 at 5 pm for Between the Real and the Imaginary, a screening of works by Agnieszka Polska followed by an in-person speech with the artist.
In her assemblage of work, Agnieszka Polska challenges conventions of prevalent ocular representations and encourages viewers to prosecute successful a captious introspection of their ain cognition of the surrounding world. Through her chiseled usage of animation and computer-generated images, Polska navigates the boundaries betwixt past and present, carnal and virtual, real and imaginary, creating a dream-like cinematic abstraction that is some acquainted and strange. A enactment of Polska's moving-image works from 2010 to the present will code taste and governmental issues such arsenic the complexities of humanities memory, the interaction of exertion connected our lives, and the deepening of the biology crisis.
The lawsuit is organized successful concern with the Polish Cultural Institute New York.
For much information, interaction program@e-flux.com.
Accessibility
–Two flights of stairs pb up to the building’s beforehand entranceway astatine 172 Classon Avenue.
–For elevator access, delight RSVP to program@e-flux.com. The gathering has a freight elevator which leads into the e-flux bureau space. Entrance to the elevator is nearest to 180 Classon Ave (a store door). We person a ramp for the steps wrong the space.
–e-flux has an ADA-compliant bathroom. There are nary steps betwixt the Screening Room and this bathroom.
Agnieszka Polska is simply a ocular creator who uses movie and computer-generated media to bespeak connected the idiosyncratic and their societal work successful the discourse of environments driven by the travel of information. Polska presented her works successful planetary venues including the New Museum and the MoMA successful New York, Centre Pompidou and Palais de Tokyo successful Paris, Tate Modern successful London, and Hirshhorn Museum successful Washington, DC. Her solo exhibitions were organized by Hamburger Bahnhof, Berlin; Museum of Modern Art Warsaw, Frye Art Museum, Seattle; Nottingham Contemporary; and Saltzburger Kunstverein among others. She took portion successful the 57th Venice Biennale, 11th Gwangju Biennale, 19th Biennale of Sydney, and 13th Istanbul Biennial.